It sounds oxymoronic to say, but there’s a wonderful pessimism about Fightmilk that makes questioning (almost) every aspect of the world around you, fun? The London quartet’s follow up to 2021’s Contender is part social commentary, part break up advice, part blind rage, and mostly excellent.

Your perspective of Neck Deep’s career possibly depends largely on how much attention you paid to alternative media outlets between 2013 and 2015.

Your perspective of Neck Deep’s career possibly depends largely on how much attention you paid to alternative media outlets between 2013 and 2015.

The Dirty Nil have an Avenger-like knack of turning up right when we need them most.

The work of Michael McGough and Joel Quartuccio has been symbiotic over the last decade. The two often fused together to make Being As An Ocean one of the most moving outfits you’re likely to come across. Quartuccio’s poetic, heartfelt lyricisms were always further compounded by McGough’s stunning melodies.

A long running joke for pop music fans is that every twelve months we need to unfreeze Michael Buble in the hopes of a decent Christmas song (there rarely is one). The same sentiments, and punchline of this quip can be applied to Georgia quintet Norma Jean.