You know the deal, here's the best singles of last week.

Channelling prog, bluesy riffs and a towering vocal performance, Giant Walker's Silhouettes is an incredible record.

A few reimaginings, a few collaborations, one certain comeback; you know what to expect. Here's the best singles of this week.

A bit less than normal this week, but given the heat who has the energy. Here's the best singles of last week.

Hardcore is more than just a genre; it’s an ethos, a way of life, and nobody embodies that right now like Australian quintet Speed.

Heading to Outbreak this week? Here's our guide to ten bands you won't want to miss at the UK's foremost hardcore extravaganza.

Scotland’s progressive post metallers get ecclesiastical on third album Voidkind.

Here at Noizze, we loved Vnder A Crvmbling Moon’s debut, I: Oblivion back in May last year. Less than a year later, they’re treating us to album two in the form of II: Aging & Formless, that promises to take everything we loved about that first album and expand on it.

Both scalding and cathartic, the long awaited debut from Shooting Daggers see's the London trio screaming for love, rage and unity in brilliant form.

Seattle's reborn punks bring the noise to London's New Cross Inn with support from the UK's underground best and brightest.

If you’re looking for feel-good music, look elsewhere. END’s stock in trade is nasty, nihilistic heavy hardcore that sounds like it wants your lunch money.

Scene Queen's ascent to her throne might look fast to some, but it's the result of years of hard work finally paying off for Hannah Collins, who adopted the moniker in 2020. Self-styling her music as "bimbocore", she's blended metalcore with stereotypically feminine, or girly, aesthetics. It's pissed off all the right people (the misogynists some songs are aimed at), while striking a chord with plenty others, particularly young people, women and the LGBTQ+ community, much of whom her music is made for.